In the Above Photo Osho is seen with a woman mystic from
Osho on Sahajo and Daya
Osho on Sahajo - In Sahajo, woman appears in utter purity. Man and woman are two dimensions. And if you clearly understand the difference between the two, the songs of Sahajo will be clear to you. Don't try to understand them as a man. Just forget who you are, otherwise your conditioning will create the barrier.
Sahajo was a sannyasin, a celibate. She didn't have a family. The world didn't attract her. She left everything at the master's feet. Those feet were her home, those feet were her family. Here is her total acceptance of God. And I would not ask of Sahajo that she should be in a family, should become a wife, a mother. If she had asked me, I would have said, "Do whatever you feel like. Don't force anything on yourself."
Her celibacy was not forced... because nobody ever saw
Sahajo in misery. She was always happy, ever-blossoming like a flower.
Nobody could find a reason for there to be any other direction to her
life than what she had chosen. That was her direction.
God has been found in the feet of the master, Charandas. Everything is offered to him. "I can leave God but not the master" -- as God has taken form in Charandas. Charandas was a very simple man. So simple that the ordinary man could not differentiate between himself and Charandas. He was very ordinary.
And remember, you can be saved only if you can catch the glimpse of the extraordinary in the ordinary. Only then do you know that there is someone who is so close but is still far away; who is so close sometimes that you start doubting that there is any difference between you and him -- perhaps he is also drowning with us.
So Charandas was a very simple man. He saved Sahajo. That is why Sahajo goes on singing his songs. She says, "Even if I have to drop God, I will drop him, but I will never leave the master. Because God threw me into the midstream and drowned me, the master saved me and brought me back to the bank." Hence, "I can leave God, but cannot forget the master."
Nobody would have known about Charandas. Sahajo's songs brought his name to the masses. He had two disciples -- Sahajo and Daya, like two eyes of a man, like two wings of a bird. Both sung the songs of Charandas. So people came to know.
Soon we will talk about Daya. And her songs are so similar. They are bound to be, because the same master has saved them, they have found shelter under the same master, and the same master's heart was beating in them. Their songs come from the same source. That is why I have named the series of discussions on Sahajo, "BIN GHAN PARAT PHUHAR, Raining Without Clouds" -- these are the words of Daya.
When I speak on Daya, then the series will have the
words of Sahajo, "JAGAT TARAIYA BHOR KI, World: The Morning Star." As
the setting star of the dawn, just about to disappear, such is this
world -- "World: the morning star."
Question - How do you know that sahajo was
enlightened? Are just her words proof enough?
An enlightened person's words will be spontaneous. They are just coming from the source -- fresh and new. These coins are just being minted, they have not been used in the market.
The words of Sahajo have just come from the mint. Sahajo is not a scholar, nor is she a poet. Her words are simple and straight -- there is not much fuss, nothing has been hidden. And she has spoken in such a way as no one else has before. So there was no way to borrow.
Whenever God descends into someone, he descends in a new way each time; God does not like repetition. Every single verse of Sahajo is unique. Never before and never after have there been such verses. So words are insufficient proof. Nothing becomes certain by them, they are just possibilities, hints. Then, how do I say that Sahajo was enlightened?
The empty spaces between the words have to be read, the empty spaces between the lines have to be read. The lines will give the insufficient proof, in that empty space the sufficient proof will be found. But you will be able to read the empty space between Sahajo's words if you have read the empty space inside you. That is why I said that the question is a little difficult. It will not be solved by my answering. It will be solved when the answer comes from your own life.
Sahajo is enlightened; this you will understand only when you become enlightened. The one who is enlightened, will immediately recognize whether another person is enlightened or not.
Daya belongs to those devotees who have left no information about themselves. They drowned so much in singing songs of the divine that no time was left for leaving information. Just the name is known. Now what is special about a name? Any name would do. But one thing is certain, she has remembered the name of her master -- she has sung songs of the divine and remembered the name of her master. Her master was Charandas; his two disciples -- Sahajo and Daya. Charandas has called them his two eyes.
Both remained in his service their whole life. When you have found the master, service is the discipline; just to be close is enough. Whether they practised anything else is not known. But this is enough. If someone has achieved, it is enough to be with him. When you pass through a garden, your clothes catch the fragrance of the flowers. If you are with the one who has known, your being catches the fragrance. The fragrance flows, spreads. So they must have been massaging his feet, preparing food for the master, fetching water, doing just small errands.
There is not much of a difference between their verses either. The master is the same, so whatever has flown through them cannot be very different. Both drank from the same cup -- the same taste. And they come from the same village, in the same region that Meera came from. Blessed is that region, because no other region has the prerogative of giving birth to three women mystics together.
Source: Osho Books "Early Talks"
Osho on :
Gorakh, Guru Nanak